Remember when somebody slowed down Justin Bieber's "U Smile" by 80% and it became a haunting ballad? Well, I'll do you one better: here's John Williams' Jurassic Park theme, slowed down 90%—10 times as long, infinitely more awesome.
http://tv.gawker.com/5735363/what-happens-when-you-slow-down-the-jurassic-park-theme-by-90-percent
Very nice modern guitar!Moder tuners,texas special pick ups...
Premium 16-Input 4-Bus Mixer with 16x4 USB/FireWire Interface, 16-Track USB-Recorder, XENYX Mic Preamps & Compressors, British EQs and Dual Multi-FX Processors
- Premium ultra low-noise, high headroom analog mixer with integrated 24-Bit/96 kHz USB/FireWire interface and 16-track USB recorder
- Built-in 16x4 interface connects directly to your computer and supports Windows XP/Vista/7 plus Mac OS X
- Integrated 16-track USB recorder allows for instant recordings of your studio or live sessions on a simple USB stick
- 8 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps with individual Phantom Power switches
- 8 studio-grade Compressors with super-easy "one-knob" functionality and control LED for professional vocal and instrumental sound
- Neo-classic "British" 4-band EQs with two semi-parametric mid bands for warm and musical sound
- Dual studio-grade stereo FX processors with 16 editable presets including reverb, chorus, flanger, delay, pitch shifter, multi-effects, Tap function and storable user parameter settings
- Illuminated MIDI Transport section to remote-control your DAW/Sequencer on PC/Mac
- 2 HI-Z inputs for direct connection of guitars, 8 Channel Inserts and balanced Main Mix outputs on ¼" TRS and XLR connectors
- 4 Aux Sends per channel - all pre/post fader switchable, 4 stereo Aux Returns and separate CD/Tape input
- Solo-In-Place with PFL/AFL function plus full-featured Talkback section
- Comprehensive Monitor section with separate level controls for speaker and headphones outputs
- Long-wearing 100-mm logarithmic-taper faders and sealed rotary controls
- Rack mount brackets included for ultimate flexibility
- "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
- High-quality components and exceptionally rugged construction ensure long life
- Conceived and designed by BEHRINGER Germany
X32
32-Channel 16-Bus Digital Total Recall Live/Recording Mixing Console
- Total recall
- 32 channels with inserts
- 16 mix busses with inserts
- 6 aux sends and returns
- 8 stereo FX returns
- 6 matrix mixers with inserts
- 6 mute groups
- 8 DCA groups
- Full-recording / multi-channel networking via FW/USB expansion cards*
- 48-channel "digital snake" via ultra-low latency AES50 ports*
- Fully programmable, high-end mic preamps
- 25 low-noise 100mm motorized faders
- Super-easy user-interface with direct access
- No confusing menus
- High-resolution 7" colour TFT display
- Individual LCD displays per channel, DCA and Bus
- Full dynamics and EQ per channel, busses and matrices
- Adjustable line-delays on all inputs and outputs
- Virtual FX rack with 8 FX slots
- Powerful scene management for shows
- On-board recorder for uncompressed WAV files on USB flash drive
- Remote editor software to control via USB or Ethernet
- Extensive channel strip controls with user-definable control sections
- Connections to BEHRINGER P-16 personal monitoring system
- AES/EBU stereo digital output and full MIDI implementation
- Super-compact and lightweight
- $2499.99 USD**
X32 Review
- This is a live mixing console. This surpasses the Roland M400 and the 16 & 24 Channel Presonus by far. This console has a true 4band EQ plus filter, busses with 6band EQ, and plus a digital snake protocol, AES50, that will import into anything which the Roland does not. If you want remote control and great I/O get the TASCAM DM4800 I have one and run live mixes at a church then mix them down at the same console every week. Side note: Now we know why Behringer bought MIDAS. (by stdlbw18)
- This is at the top of my most wanted list! It can't come out soon enough! (by Byronovich)