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Get to Know… Screamin’ Jay Hawkins!

Posted by MUSIC Gears Thursday, November 25, 2010 0 comments

Before Alice Cooper, Twisted Sister, Marilyn Manson, etc., it was Screamin’ Jay who laid the foundation for Rock ‘n’ Roll’s theatre of the macabre as early as 1954. He also was an early example of the sort of alpha hedonism we might now associate with Motley Crue. While it would be an overstatement to credit him with the birth of Metal, his relationships with dark theatrical presentation, moral panic, powerhouse vocal styles, and women set the stage for myriad shock rockers to follow. Song titles include “Alligator Wine,” “Frenzy,” “Feast of the Mau Mau,” “Constipation Blues,” and one other song I’ll tell you about in a sec.
Jay’s pre-music career backstory is arguably as weird as his musical repertoire. Hawkins was born on a bus (!) passing through Cleveland, Ohio, and was left at an orphanage. He was later adopted by a Blackfoot Indian family. In his youth he studied to be an opera singer, classical pianist, and guitar player. During his U.S. Air Force days in World War II, he also became a skilled boxer, taking the Alaskan middleweight title in 1949.
While you may not have heard of Screamin’ Jay before this writing, you are very likely familiar with a piece of his work, assuming you’ve ever been in audible proximity to a radio. “I Put A Spell on You,” his monster 1956 hit, has been covered innumerable times by an incredibly diverse array of artists: Marilyn Manson, Queen Latifah, The Animals, Jeff Beck, Sonique, and Nina Simone make the list, with Creedence Clearwater Revival’s version being the best known.

BEHRINGER RV600 Reverb Machine

Posted by MUSIC Gears Tuesday, November 23, 2010 2 comments


The RV600 contains BEHRINGER’s Real Sound Modeling (RSM) processor and DSP technology, giving it the incredible power to make your guitar sound like you’re playing in a cave, a cathedral, or even the outer reaches of the cosmos. With this pedal, putting studio-caliber sound in your signal chain is easier than ever before.

Its EASY to USE

Just twist the dedicated dial to select dead-on modeling of Ducking, Space, Cave, Tile, Echo, vintage ’63 Spring, Spring, Plate, Room, Chamber and Hall reverbs. Tweak the dedicated Mix, Decay, Time and Tone controls along with the Trails On/Off switch to create reverb that is resonant, abrupt, or just plain otherworldly! The brilliant blue LED tells you when it’s working while the top-quality on/off switch preserves the signal integrity in bypass mode. You can power this stomp box with a 9 V battery or a DC power supply (not included).




Our EURORACK PRO RX1202FX Goes On Tour With The Blackeyed Peas!

Posted by MUSIC Gears Monday, November 22, 2010 0 comments

Black Eyed Peas musical director Printz Board recently gave Keyboard Magazine a rundown on “how he makes the Peas pop.” In the July 2010 issue, he was nice enough to give BEHRINGER some kind words about how one of our products made its way into their rig!
“Eric Harris put in this BEHRINGER EURORACK mixer, and it’s done wonders.” said Board. He continued, ”I can pan my different keyboards and change the EQ per instrument.”
In addition to being the Black Eyed Peas musical director, Board plays keyboards, trumpet, bass, and also serves as a songwriter and producer. See the full article here:
The EURORACK R1202FX is a rack mountable mixer that comes loaded with a 24-bit multi-FX processor and 8 built-in studio-grade IMP “invisible” mic preamps. The RX1202FX is ideal for small bands, churches, and business conferences with microphones and A/V equipment. It is also great for sub-mixing keyboards, drums, samplers, and for monitoring multi-rack recording projects.



So, the big music news today: after decades of legal wrangling, Apple Computer and Apple Records have agreed to kiss and make up, or at least hold hands. The Beatles’ entire discography (with bonus documentaries and a recording of their first live U.S. concert) is at last available via iTunes. This also comes after an exhaustive 4-year digital remastering process.
For even casual Beatles fans, this is a boon. But what about the holdouts? And why are they being stubborn? There are a lot of heavyweights who are still unavailable via iTunes, including: AC/DC, Garth Brooks, Tool, and Kid Rock.
The top-cited rationale for iTunes abstinence is the “album issue.” Many artists strongly prefer to release songs as a set—an album, in the traditional, vinyl-derived sense of the term. Many argue that an album is greater than the sum of its parts, and the songs therein are to be sold strictly as a package, as would be the case on vinyl or CD.
Thing is, iTunes largely sells single tracks. Many see this as a disservice to the album format. I get it, but why all the hubbub? Folks talk about missing the “nice break” between sides 1 and 2 of an LP or cassette, for example, or large-format liner notes as contained with LPs, and want these parts of the music-loving experience preserved.
Slow down, old-schooler—let’s not overlook the fact that there was a time in recorded music when albums didn’t exist. 45 rpm vinyl singles (and 78′s before that) were the manner in which most folks consumed music, as it was really the only option. While digital music may be the wave of the future now, it carries undeniable echoes of the music market of a bygone era.
So, are the holdouts doing the right thing? Is the album format doomed? And if so, is that necessarily a bad thing? Music has always been married to technology, and its history is littered with technological casualties. Was anyone really sad to see the end of the Minidisk? The Wax Cylinder? Does anyone digitally add the “Ka-CHUNK” noise from 8-track tape decks to their digital releases out of some sense of puritan allegiance to a defunct format?
While artists are indeed entitled to put out whatever art they want by whatever medium they desire, at some point it may be wise to consider the wants of their purchasing audience. Seems to me the audience has spoken pretty clearly. The single is back…
…but is the album dead as a result? Or merely on life support?



Bugera 1990 vs. Marshall JCM 900

Posted by MUSIC Gears Sunday, November 21, 2010 0 comments


I would consider the price, Bugera has the same sound quality with Marshall amps. Since they have the same bulbs I prefer to use Bugera. 

Active 550-Watt 2-Way PA Speaker System with 15" Woofer and 1.35" Compression Driver


  • High-power 550-Watt 2-way PA sound reinforcement speaker system for live and playback applications
  • Ultra-compact and light weight system delivers excellent sound even at extreme sound pressure levels
  • Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
  • Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption
  • Integrated sound processor for ultimate system control and speaker protection
  • Extremely powerful 15'' long-excursion driver provides incredibly deep bass and acoustic power
  • State-of-the-art 1.35'' aluminum-diaphragm compression driver for exceptional high-frequency reproduction
  • Ultra-wide dispersion, large-format exponential horn
  • Ultra-low noise Mic/Line input with Volume control and Clip LED
  • Dedicated 2-band EQ for perfect sound adjustment
  • Additional Line output allows linking of additional speaker systems
  • Versatile trapezoidal enclosure design allows different positioning:
  • - Stand mounting with 35-mm pole socket
  • - Tilts on its side for use as a floor monitor
  • Ergonomically shaped handles for easy carrying and setup
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

Behringer FD300 Ultra Feedback Distortion Pedal

Posted by MUSIC Gears Friday, November 19, 2010 0 comments



  • Produce endless feedback and sustain by simply pressing down the pedal; works at any volume and no huge and loud amp stacks needed
  • This BEHRINGER product has been designed to compete head to head with leading products on the market
  • Additional distortion circuit to give you super-thick and hard distortion with great dynamic response
  • Dedicated Overtone, Distortion, Tone and Level controls for awesome sound shaping
  • Blue status LED for effect on/off and battery check
  • Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
  • First-class electronic On/Off switch for highest signal integrity in bypass mode
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

V-TONE ACOUSTIC DRIVER DI ADI21

Posted by MUSIC Gears Thursday, November 18, 2010 0 comments

  • Analog modeling acoustic guitar preamp/stompbox with DI recording output
  • This BEHRINGER product has been designed to compete head to head with leading products on the market
  • Authentic tube/microphone modeling circuitry provides the natural warmth and presence, as if your acoustic guitar was miked through a tube pre-amp
  • Ultra-musical 3-band EQ with sweepable mids for accurate feedback control and to eliminate the harsh harmonics of piezos
  • Super-high impedance to retain maximum signal integrity and dynamics
  • Dual DI mode for either direct recording output with tube/microphone emulation or standard active direct injection box in bypass mode
  • Output available on ¼'' TS or balanced, gold-plated XLR connectors
  • Ground lift switch eliminates typical ground loop problems
  • Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included)
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

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